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For perfect photos, fast and simple, there’s nothing better than Canon’s new EOS Rebel XS. With powerful features including a 10.1-megapixel CMOS sensor, Canon’s DIGIC III processor, fast shooting and more, it’s a digital powerhouse. With simple, easy-to-use controls, a compact design, a 2.5-inch LCD monitor, and Live View Function, it’s a beginner’s dream come true.

There are several features of this camera that make this camera is the best one to shoot arts works in museum or gallery, such as:

Auto Lighting Optimizer The Canon EOS Rebel XS Auto Lighting Optimizer is yet another image-quality tool that comes to the rescue in tricky lighting conditions. It can actually lighten dark areas of a scene while ensuring that bright areas maintain tonal detail. In addition, it can increase contrast in “flat” lighting, such as overcast days.

Self Cleaning Sensor Unit A key element of minimizing dust is preventing it from clinging to the front surface of the imaging sensor. To combat against this, the EOS Rebel XS features a Canon-designed Self Cleaning Sensor Unit. The low-pass filter at the front of the sensor shakes off dust automatically with ultrasonic vibrations, removing dust from the sensor assembly.

Flash Photography The EOS Rebel XS features the acclaimed E-TTL II flash metering system. With any of the flashes in the EX Speedlite line, E-TTL II provides reliable flash output whether shooting fill-in flash pictures in sunlight, or using flash in total darkness. Museum and gallery usually have not enough light.

This camera is ideal for a wide range of photographers from first-time digital SLR users to veteran photo enthusiasts. The new Canon EOS Rebel XS camera is designed to embody what you have come to expect from the EOS Rebel series — a fast, non-intimidating, lightweight, easy-to-use camera that produces excellent images and starts emerging photographers off on the right foot.

I want to save you the time and uncertainty in choosing the best affordable DSLR. For those considering the Canon Digital Rebel XS, the Olympus E-510 or the Nikon D40 / D40x / D60, I believe the Canon XS is the best choice.

Also, at the price difference between the XS and the SXi ($150-200 as of December ’08), the XS is an excellent alternative–both take exactly the same high quality pictures, save the 2MP difference, which is negligible at the end.

Please note that the XS’s new lens kit comes with the better quality EFS 18-55 Image Stabilization lens (they are better engineered); and that Canon is offering nowadays generous rebates on telephoto lenses when coupled with the purchase of the XS (I bought mine with the entry-level Canon EF 75-300mm III lens with a generous instant Canon rebate. Don’t buy from anybody different from B&H Photo, directly from Amazon, Adorama, Buydig/Beach Camera; stay away from Broadway Photo and TriState).

Canons are popular for the excellent image processing. Nikons for their Nikor lenses. Some say the color of pictures which took using Olympus.

The Olympus E-510 has important flaws, e.g., the average performance in high ISO speeds and highlight blowing. Also, its inconsistency with good results is worth noting.

The Nikon D40 lacks important features, e.g., image stabilization in their kit lens. The D60 is lacking the high picture quality ratings of the Canon XS. Both Nikons are nice looking, which is a selling factor I usually consider; but picture quality should be your top criterion for the long run.

Don’t go through the extensive research I have already done (months, and intense debating). This Canon Rebel Camera is a winner (specially with the new IS lens kit), even more with its current price (Dec. ’08: $480). It is feature rich (you can even add 3 of your preferred defined Picture Style modes), good/professional looking (black body), even the sound of the shooter is nicer than the others. Bottom line: Excellent picture quality, high ISO/low light remarkable performance, and relevant features and space for customization make the Canon XS a winner for months and even years to come.

The 7.2 megapixel Cyber-shot P200 employs a Carl Zeiss Vario Tessar 3X optical zoom lens, a big 2-inch LCD screen and other options and benefits usually found on extra full-sized cameras. The stylish and sturdy alloy physique is just one inch thin, is available in silver or red shade and takes vibrant digital images, capturing color and element not generally found in such a compact camera.

Powered by Sony’s Real Imaging Processor™ circuitry, it features extremely fast start-up and shot-to-shot instances, and places further pace and muscle behind automatic features like auto focus and auto exposure. You may never have to worry about missing a shot because the camera is always at the ready. Seize up to 5 shots (7MP Nice) or as many as 100 photographs (VGA Normal) in continuous burst mode at 1.1 frames per second.

Fully Computerized, Program AE, 9 Scene and Handbook exposure modes allow you to capture the most effective pictures based mostly on the capturing circumstances and the photographer’s experience level. The Multi-Point auto focus system automatically selects one in every of 5 AF areas to intelligently give attention to the subject moderately than the background. Capturing in dim mild is no problem, the constructed-in AF illuminator will assist to get a positive focus lock. Correct exposures are key for excellent pictures and the P200′s light-metering system evaluates the frame using 49 reference points. Within the advanced exposure modes you may select the desired metering and focus mode for much more inventive control.

Great nonetheless photographs are simply part of the picture. The P200 additionally captures and plays again excessive decision shifting pictures with sound too. The MPEG-VX Tremendous mode lets you document MPEG video with 640×480 pixel decision at 30 frames per second (when using Memory Stick PRO compatible media.) Smaller resolution video seize can also be possible for e-mail attachments or for use on an online site.

Transferring photos and films to the host computer is fast and straightforward due to its excessive-velocity USB 2.0 data port that’s “plug-n-play” with most fashionable working systems. The camera is PictBridge suitable and can be related directly to any PictBridge compliant photograph printer without need of a computer. The P200 has energy to spare and lets you capture roughly 310 photographs per cost with the included InfoLithium battery.

Optional equipment embody the VAD-PHC lens adaptor which allows you to connect large- and tele-conversion lenses and filters. The Cyber-shot Station CSS-PHA allows you to view slideshows on a TV or transfer images to a PC whereas charging the digital camera’s battery.

DSC-P200 Main Features:

Sony 7.2 Megapixel efficient CCD picture sensor

Carl Zeiss 3x Zoom (38-114mm equivalent in 35mm pictures)

Compact, lightweight and sturdy aluminum alloy physique

MPEG Movie: 640×480 VX High quality w/audio at 30fps (Reminiscence Stick Pro required),640×480 VX at 16fps, length limited only by media

Auto, Program AE, Full Handbook plus 9 Scene modes

5-shot Burst (7MP High-quality) as much as 100 (VGA std quality) at 1.1fps

Histogram show in seize and playback mode

5 Area Multi-level AF; auto or selectable Spot AF point

2.0″ TFT shade (134,000 pixels) LCD display with Auto Brightness

ISO Sensitivity: Auto, 100, 200, 400

Adjustable shade saturation, contrast and sharpness

Noise Reduction: Routinely cleans up lengthy exposure photographs

14bit A/D Conversion – allows a wider dynamic range from highlight to shadow

Built-in flash with Auto Fill, Red Eye Reduction and Gradual Synchro

USB 2.0 Auto-Hook up with host computer

Li-ion rechargeable battery and charger included

Memory Stick & Reminiscence Stick Professional appropriate, 32MB included

DPOF and PictBridge direct-print USB appropriate

The Sony Cyber-shot P200 is obtainable now for less than $400.

At Gooddigitalcameras.net find out all about] sony dsc p200, sony dsc f828,and sony cybershot dsc m1.

The D70 is appropriate with about 90% of the F mount Nikkor lenses made. As a result of its imager is physically smaller than a 35mm film body it is advisable use a picture angle conversion issue of 1.5x to find out correct focal size coverage when using 35mm format lenses.

Upper left is the main target-assist illuminator lamp, it is also used for purple-eye reduction flash mode. On the left aspect of the lens mount is the Depth of Discipline (DOF) preview button, on the appropriate side is the lens release lock button and the two-way swap used to select the desired focusing mode, auto or manual.

Here’s a closeup have a look at the Focus Mode selector swap (AF or Handbook). The MA/M switch on the lens selects both full manual or auto focus with guide override. The D70 employs the Nikon Excessive-velocity, high precision 5-area AF system with predictive focus monitoring and Lock-on™ to make sure fast response and sharp focus, while an AF-help illuminator helps ensure top performance in dark situations.

The AF-S DX Nikkor 18-70mm f/3.5-4.5G IF-ED lens is compatible with all Nikon D-collection digital SLRs and will likely be included as the usual zoom lens in the Nikon D70 digital SLR digital camera outfit. With an equal coverage of a 27-105mm zoom in 35mm photography, it presents Nikon’s extremely regarded Silent Wave motor (AF-S) for super quick and quiet autofocus, Further-Low Dispersion glass (ED) for minimized chromatic aberrations, and Inside Focusing (IF) for convenient and balanced handling. It additionally incorporates a distance info guide window, a reliable metallic lens mount for years of sturdiness, and a M/A mode for seamless switching between autofocus and handbook modes.

Designed exclusively for use with Nikon digital SLR cameras, DX Nikkor lenses deliver a versatile vary of angle-of-view, higher efficiency, and excellent middle-to-edge-to-corner image quality, while realizing smaller and lighter designs. The current lineup of DX Nikkor lenses consists of:

AF-S DX Zoom-Nikkor 18-70mm f/3.5-4.5 IF-ED

AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED

AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED

AF DX Fisheye-Nikkor 10.5mm f/2.8G ED (180º angle-of-view)

When used with a Nikon digital SLR camera and NikonCapture software, pictures shot with the AF DX Fisheye-Nikkor 10.5mm lens may be remodeled into ultra-huge angle rectilinear photos with a selection of a hundred° and a hundred thirty° horizontal angles of view.

Sooner or later you’ll need to wash your D70′s imager or lenses. This is the American Recorder C02 Duster and Digital Sensor Cleaning Kit. It contains the helpful C02 duster, three C02 cylinders and 3 Eclipse Sensor Swabs with cleansing fluid and a journey case. Perfect for cleansing the CCD imager and conserving your lenses dirt-free.

The D70′s constructed-in speedlight employs Nikon’s i-TTL flash control technology. The speedlight robotically pops up and fires when natural lighting is insufficient or to add balanced Fill-Flash when there is robust backlighting. i-TTL expertise improves the accuracy of fill-flash publicity and white stability in a picture, by seamlessly integrating colour data from the speedlight’s monitor pre-flash with data from the D70′s 1,005-pixel RGB sensor.

You can shoot at synchronized speeds up to 1/500 second for nice fill results under bright gentle conditions. FV Lock maintains the measured flash value whereas recomposing the shot so you still achieve the suitable flash output for the subject. Guide Mode with Energy Ratio from full output to 1/sixty four energy in ½ step increments places you in command of flash output to match your wants, and flash exposure compensation lets you enhance or reduce flash output for even finer control.

The built-in speedlight can be utilized in Commander Mode to remotely management one group of a number of wi-fi SB-600 and/or SB-800 Speedlights. You possibly can attach an SB-800 because the Master Speedlight and control as much as three distant groups of wireless speedlights, with every group consisting of any number of Nikon SB-800 or SB-600 Speedlight units.

The D70 controls the SB-600 or SB-800′s motorized zoom head and makes use of its extra powerful AF-help beam. The output of the flash is managed exactly thanks to the brand new i-TTL flash exposure control system. And nothing beats the natural look of bounce flash.

The D70 does not have an integral PC sync port so you’ll want to use the optionally available Nikon AS-15 Sync Terminal Adapter to hook up with external studio flash units. It slides on the flash scorching shoe and offers you a standard PC sync connector. (Be aware that the AS-15 does not include an isolation circuit so watch out of strobes that use excessive trigger voltages.)

The eyelevel penta-mirror viewfinder reveals roughly 95% of the captured frame. It has dioptric adjustment (-1.6 to +0.5 m-1) and a comfortable 18mm eye relief with a fairly huge viewing angle.

To accommodate particular person differences in vision, viewfinder lenses can be found with diopters of -5, -four, -3, -2, zero, +0.5, +1, +2, and +three m-1. The non-compulsory DG-2 magnifies the scene displayed in the viewfinder for shut-up photography, copying, telephoto lenses, and different tasks that call for added precision. Requires eyepiece adapter (out there separately). The optional DR-6 attaches at a proper angle to the viewfinder eyepiece, allowing the picture within the viewfinder to be seen from above when the digicam is within the horizontal capturing position.

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